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The outcome is that of a modern-working day Bosch painting — a hellish vision of a city collapsing in on itself. “Jungle Fever” is its individual concussive force, bursting with so many ideas and themes about race, politics, and love that they almost threaten to cannibalize each other.
The tale centers on twin twelve-year-old girls, Zahra and Massoumeh, who have been cloistered inside for nearly their entire lives. Their mother is blind and their father, concerned for his daughters’ safety and loss of innocence, refuses to Enable them beyond the padlock of their front gate, even for proper bathing or schooling.
A.’s snuff-film underground anticipates his Hollywood cautionary tale “Mulholland Drive.” Lynch plays with classic noir archetypes — namely, the manipulative femme fatale and her naive prey — throughout the film, bending, twisting, and turning them back onto themselves until the nature of id and free will themselves are called into query.
“The End of Evangelion” was ultimately not the tip of “Evangelion” (not even close), but that’s only because it allowed the series and its creator to zoom out and out and out until they could each see themselves starting over. —DE
by playing a track star in love with another woman in this drama directed by Robert Towne, the legendary screenwriter of landmark ’70s films like Chinatown
Sprint’s elemental way, the non-linear construction of her narrative, as well as sensuous pull of Arthur Jafa’s cinematography combine to produce a rare film of Uncooked beauty — one that didn’t ascribe to Hollywood’s idea of Black people or their cinema.
The ingloriousness of war, and the foundation of pain that would be passed down the generations like a cursed heirloom, might be seen even within the most unadorned of images. Devoid of even the tiniest bit of hope or humor, “Lessons of Darkness” offers the latina porn most chilling and powerful condemnation of humanity in a long career that has alway looked at us askance. —LL
Set in Calvinist small town atop the Scottish Highlands, it's the first part of Von Trier’s “Golden Heart” trilogy as Watson plays a woman who has sex with other Guys to please her husband after an accident has left him immobile. —
As authoritarian tendencies are seeping into politics on a global scale, “Starship Troopers” paints shiny, ugly insect-infused allegories with the dangers of blind adherence plus the power in targeting an easy enemy.
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But Makhmalbaf’s storytelling praxis is so patient and full of temerity that the film outgrows its verité-style portrait and becomes something mythopoetic. Like the allegory on the cave in Plato’s “Republic,” “The Apple” is ultimately an epistemological tale — a timeless parable that distills the wonders of a liberated life. —NW
The artist Bernard Dufour stepped in for long close-ups of his hand (to be Frenhofer’s) as he sketches and paints Marianne for unbroken minutes at a time. During those moments, the plot, the actual push and pull between artist and model, is put on pause as the thing is a work take condition in real time.
is really a look into the lives of gay Gentlemen in 1960's New York. Featuring a cast of all openly gay actors, this is actually a must see for anyone interested in gay history.
Tarantino contains a power to canonize that’s next to only the pope: in his hands, surf rock becomes as worthy with the label “artwork” as being the Ligeti and Penderecki works Kubrick liked to employ. porh hub Grindhouse movies were suddenly worth another look. It became possible to argue that “The sexyporn Good, the Undesirable, along with the Ugly” was a more crucial film from 1966 than “Who’s Scared of Virginia Woolf?